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9783775739009 English, German 3775739009 Scully's early figurative works in dialogue with his abstract oeuvre. Sean Scully (* 1945 in Dublin) is considered one of the most significant abstract painters of our time. For decades he has produced a wealth of variations on his core theme of lines and stripes, creating works with a fascinating range of tone and expression from the romantic to the melancholic. Early on in his career Scully did figural work, to which he still feels indebted; To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world. He considers German Expressionism one of his sources of inspiration and specifically cites the influence of artists Andre Derain, Henri Matisse, Karl Schmidt-Rottluff, and Ernst Ludwig Kirchner. The stroke of the brush is a visible component of his painterly abstractions. The edges of his fields of color are delineated by hand, which lends his compositions a haptic quality. Presenting surprising new perspectives on the artist's work, this publication is the first study on the interplay between figuration and abstraction in Scully's oeuvre.Ausstellungen/Exhibitions: Ludwig Museum im Deutschherrenhaus Koblenz 31.8.-16.11.2014 Kunsthalle Rostock Crawford Art Gallery, Cork"
9783775739009 English, German 3775739009 Scully's early figurative works in dialogue with his abstract oeuvre. Sean Scully (* 1945 in Dublin) is considered one of the most significant abstract painters of our time. For decades he has produced a wealth of variations on his core theme of lines and stripes, creating works with a fascinating range of tone and expression from the romantic to the melancholic. Early on in his career Scully did figural work, to which he still feels indebted; To this day my paintings retain a sense of the body, and the feeling of a physical relationship with the world. He considers German Expressionism one of his sources of inspiration and specifically cites the influence of artists Andre Derain, Henri Matisse, Karl Schmidt-Rottluff, and Ernst Ludwig Kirchner. The stroke of the brush is a visible component of his painterly abstractions. The edges of his fields of color are delineated by hand, which lends his compositions a haptic quality. Presenting surprising new perspectives on the artist's work, this publication is the first study on the interplay between figuration and abstraction in Scully's oeuvre.Ausstellungen/Exhibitions: Ludwig Museum im Deutschherrenhaus Koblenz 31.8.-16.11.2014 Kunsthalle Rostock Crawford Art Gallery, Cork"